“Stregoni”: la band più numerosa del mondo. Analisi di una pratica sociale e musicale innovativa

digital

Articolo

Rivista	STUDI DI SOCIOLOGIA
Fascicolo	STUDI DI SOCIOLOGIA - 2021 - 2
Titolo	“Stregoni”: la band più numerosa del mondo. Analisi di una pratica sociale e musicale innovativa “Stregoni”: the Largest Band in the World. Analysis of an Innovative Social and Musical Practice
Autori	Francesco Della Puppa, Giulia Storato
Editore	Vita e Pensiero
Formato	Articolo \| Pdf
Online da	05-2021
Doi	10.26350/000309_000118
Issn	0039-291X (stampa) \| 1827-7896 (digitale)

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Descrizione
The article describes the birth and development of “Stregoni [“Sorcerers”] network, an Italian musical project founded by two native musicians which involves asylum seekers received in reception centers in musical workshops and live performances. Its aim is to encourage the creation of social bonds and to deconstruct stereotypical ways to see asylum seekers and their music. Once presented its origins and widespread in Italy, the article describes how the project is represented by its members, according to their different roles and national backgrounds, highlighting differences and similarities and the underlying material conditions. A last focus is on the strengths and weaknesses of the project and on its potentialities as an incubator of active citizenship and social innovation. keywords Refugees and asylum seekers, Music, Social innovation, Social inclusion, Civic stratification. Biografia degli autori Francesco Della Puppa, Università Ca’ Foscari di Venezia. Email: francesco.dellapuppa@unive.it. Giulia Storato, Università di Torino. Email: giulia.storato@unito.it.

Descrizione

The article describes the birth and development of “Stregoni [“Sorcerers”] network, an Italian musical project founded by two native musicians which involves asylum seekers received in reception centers in musical workshops and live performances. Its aim is to encourage the creation of social bonds and to deconstruct stereotypical ways to see asylum seekers and their music. Once presented its origins and widespread in Italy, the article describes how the project is represented by its members, according to their different roles and national backgrounds, highlighting differences and similarities and the underlying material conditions. A last focus is on the strengths and weaknesses of the project and on its potentialities as an incubator of active citizenship and social innovation.

keywords

Refugees and asylum seekers, Music, Social innovation, Social inclusion, Civic stratification.

Biografia degli autori

Francesco Della Puppa, Università Ca’ Foscari di Venezia. Email: francesco.dellapuppa@unive.it.
Giulia Storato, Università di Torino. Email: giulia.storato@unito.it.